Album of the Week , April 10th 2016 – Parquet Courts -” Human Performance”


I’m pretty jazzed to be bringing this to all of you today. Let’s assume one of 2 things is happening here: You knew and counted the days till this Album came out , or you have no idea who Parquet Courts are. If the later is the case ,I can only guide you to the water, the rest is up to you but if you like Lou Reed or The Subsonics , I think you owe it to all of mankind to give this a listen , right about now. I would seriously look for this on everyones list as “Album of The Year for 2016” and yes it’s about time that a great band gets it’s due…

here is some cool info from Rough Trade:

Parquet Courts began their 2014 release Content Nausea with the repeated refrain, “everyday it starts – anxiety!” And while that track left off at just its start, Human Performance dives in, picking apart the anxieties of modern life with the band’s most innovative and emotional collection of songs to date. Not that that’s the whole story.

“The final product of this album is Exhibit A that we made it through the shit, solved the problem, had the chuckle, took the piss, made up with the other guy, and got home in one piece,” laughs bassist Sean Yeaton.

Whereas other Parquets Courts albums were recorded in a matter of days or weeks, for Human Performance the band took an entire year; it’s the first LP that finds all four band members contributing songs.

Human Performance brings expansive sonic experimentation and shining melodic introspection onto matters of the heart, matters of humanity, of identity. “I told you I loved you, did I even deserve it when you returned it?” singer/guitarist Andrew Savage wonders on the title track. It’s also their most pop-oriented collection yet, coming only months after the release of the largely instrumental Monastic Living EP; a record that was actually made at the same time.

“In a way, Monastic Living was like a palate cleanser for us as a band,” explains singer/guitarist Austin Brown, who produced the entire record, and mixed it in Austin at Jim Eno’s Public Hi-Fi, “maybe a return to our roots of improvising together, and being a bit more free, and seeing what kind of new sounds we could make.”

The recording sessions started at Justin Pizzoferrato’s Sonelab in Western Massachusetts. Some of it was also made with Tom Schick and Jeff Tweedy at The Loft, Wilco’s visionary studio in Chicago, but the majority of Human Performance was made at Dreamland Studios, a massive upstate NY pentecostal church where records have been made by The Breeders, Dinosaur Jr, and the B-52s (including “Love Shack”). They spent three weeks straight there, writing by day and recording with Pizzoferrato by night.

The result is a record with a palpable sense of fragility. “The process of writing and recording Human Performance, for me, was a fairly uncomfortable confrontation with my emotions,” Savage says. “Emotions I don’t think I’ve fully explored in my life, artistic or otherwise.”

Human Performance is fittingly laced with as much static as softness, with tight-wound percussion pushing along meandering, wistful melodies. There are dazed and disoriented earworms, echoing group chants, downtempo ballads with wired riffs. Lovers leave, existential confusion replaces them, weeks pass, the J train rolls by.

The record leads with “Dust”, a 4-minute opener that takes the mundane daily duty of sweeping the floor and turns it into a frantic, obsessive call for action. “Dust is everywhere … Sweep!” they drolly repeat, before their cyclic back beat gives way to explosive, everyday city sound of car horns.

Savage says “Human Performance” is his most personal song on the record, a solemn musing on love drifting away, a picture-perfect memory of the beginning of things and a hazier recollection of the ending. “It didn’t feel right to be shouting, barking,” he says, reflecting on his tendency to really sing for this first time on this album. “I think a lot of people are attracted to a sort of cerebral side of Parquet Courts, in the lyricism. There has always been the emotional side of our band, which I think has always been an important balance, but Human Performance marks a point where the scales have tipped. I began to question my humanity, and if it was always as sincere as I thought, or if it was a performance. I felt like a malfunctioning apparatus. Like a machine programmed to be human showing signs of defect.”

Across six years, four full-length albums, and two EPs, Parquet Courts have always littered their lyric sheets with question marks, interrogating the outside world to varying degrees. Light Up Gold considered peanuts versus Swedish Fish, an introduction of their sharp, young wit and language of mundane, everyday NYC imagery. Sunbathing Animal channeled that language into noisy punk philosophy, raising wide-view questions about agency versus captivity, choice versus freewill. Content Nausea wondered about anxiety and emotional deterioration under the age of big data, in an aptly self-aware way: “And am I under some spell? And do my thoughts belong to me? Or just some slogan I ingested to save time?” And with Human Performance—their fifth album and second for Rough Trade—the question marks get turned on themselves more than ever.

“There is a lot of darkness, and general anguish being worked out on this record,” Brown adds. “But it ends kind of peacefully, kind of accepting that you can’t do much about it.”

Parquet Courts:

Parquet Courts / Blog
Unofficial: Parquet Courts / Facebook
Parquet Courts /Twitter

Parquet Courts / Rough Trade Records
Rough Trade Records/ Twitter


APRIL 8th @ Die Bell Haus
Brooklyn, NY
w/ Rips

APRIL 14 @ The Met
Providence, RI
w/ Soda

APRIL 15 @ Paradise Rock
Boston, MA
w/ Soda

APRIL Apr. 16 @ BSP
Kingston, NY Kingston
w/ Soda

APRIL Apr. 17 @ Spirit
Pittsburgh, PA
w/ Soda

APRIL 18 @ Ace of Cups
Columbus, OH
w/ Soda

APRIL 20 @ The Metro
Chicago, IL
w/ Soda

APRIL 21 @ Marble Bar
Detroit, MI
w/ Soda

APRIL 22 @ Phoenix Theater
Toronto, Ontario
w/ Soda

APRIL 28 @ Granada Theater
Dallas, TX

APRIL 30 @ Levitation Festival
Austin, TX

MAY 2 @ Fitzgerald’s
Houston, TX

MAY 11 @ Union Transfer
Philadelphia, PA
w/ B Boys

MAY 12 @ 9:30 Club
Washington, DC
w/ B Boys

MAY 13 @ Cat’s Cradle
Carrboro, NC
w/ B Boys

MAY 15 @ Shaky Knees Festival
Atlanta, GA

MAY 16 @ Mercy Lounge
Nashville, TN
w/ B Boys

MAY 17 @ The Mothlight
Asheville, NC
w/ B Boys

MAY 18 @ Jefferson Theater
Charlottesville, VA
w/ B Boys

MAY 20 @ Webster Hall
New York, NY
w/ B Boys

JUNE 03 @ Bad Bonn Kilbi Festival
Düdingen , CH

JUNE 04 @ Primavera Sound Festival
Barcelona, ES

JUNE 05 @ This Is Not A Love Song Festival
Nimes, FR

JUNE 07 @ Kafe Antzokia
Bilbao, ES

JUNE 09 @ Primavera Sound Festiva
Porto, PT

JUNE 10 @ Psych Lab Festival
Eindhoven, NL

JUNE 11 @ Pinkpop Festival
Landgraaf, NL

JUNE 12 @ Field Day Festival
London, UK

JUNE 14 @ Trinity
Bristol, UK

JUNE 15 @ Invisible Wind Factory
Liverpool, UK

JUNE 16 @ La Belle Angele
Edinburgh, UK

JUNE 17 @ Irish Centre
Leeds, UK

JUNE 18 @ Gorilla
Manchester, UK

JUNE 21 @ Trix Club
Antwerp, BE

JUNE 23 @ Paradiso Noord
Amsterdam, NL

JUNE 24 @ Down The Rabbit Hole Festival
Ewijk, NL

JUNE 25 @ Les Rock Dans Tous Ses Etats
Evreux, FR

JUNE 27 @ Gaite Lyrique
Paris, FR


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Co-founder of 50thirdand3rd, stepped away to spend time with family and write. From Pittsburgh, now in Florida, Cool Canadian artist wife, 4 great kids, and two granddaughters!! I'm a lucky guy!

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