Last week I started a little history of the blues series for the kids who are tuning in. Yesterday , I was sending some messages back and forth with Fat Elvis Records looking for some more Meet The Bands and I was asked to give Fantastic Negrito a listen. After 1 minute , I felt bad that I had never listened to him before. It was like listening to The Clash for the 1st time and the album was London Calling. I was shocked that I’ve missed out on something so real , so genuine and so rooted in all things blues. This is excellent and well worth 15 minutes of your day….
Published on Mar 9, 2015 from the folks at NPR
It says a lot that, with almost 7,000 entries to choose from, we selected Fantastic Negrito as the winner of our Tiny Desk Concert Contest. For his winning submission, he performed “Lost In A Crowd” in a freight elevator in Oakland. It was his passion, his voice and his backing band that landed him an invitation to perform behind my desk. We’re proud of our choice.
As we learned after choosing him as our winner, Fantastic Negrito — a.k.a. Xavier Dphrepaulezz, pronounced dee-FREP-ah-lez — has a remarkable backstory. One of 15 children, he grew up in a strict home, and later signed a contract with Interscope Records in the ’90s. That deal fell apart, though, and soured him on music-making. Then, a near-fatal car crash put him in a coma, and eventually left him without the proper use of his hands; he struggled with physical therapy for years to get some movement from what he now calls “The Claw.”
These days, bolstered by a new outlook on life and music, he’s reawakened and reemerged under the name Fantastic Negrito. You’ll see that newly rediscovered purpose in his eyes and hear it in his voice, as he performs this Tiny Desk Concert with his fantastic band. — BOB BOILEN
“Lost In A Crowd” 0:00
“Night Has Turned To Day” 6:30
“An Honest Man” 9:51
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Nick Michael, Maggie Starbard; Assistant Producer: Morgan McCloy; photo by Morgan McCloy/NPR